On Picket Duty, and Other Tales: Top Novelist Focus

· Top Novelist Focus Kitabu cha 58 · 谷月社
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Ukadiriaji na maoni hayajahakikishwa  Pata Maelezo Zaidi

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October moonlight shone clearly on the solitary tree, draped with gray moss, scarred by lightning and warped by wind, looking like a venerable warrior, whose long campaign was nearly done; and underneath was posted the guard of four. Behind them twinkled many camp-fires on a distant plain, before them wound a road ploughed by the passage of an army, strewn with the relics of a rout. On the right, a sluggish river glided, like a serpent, stealthy, sinuous, and dark, into a seemingly impervious jungle; on the left, a Southern swamp filled the air with malarial damps, swarms of noisome life, and discordant sounds that robbed the hour of its repose. The men were friends as well as comrades, for though gathered from the four quarters of the Union, and dissimilar in education, character, and tastes, the same spirit animated all; the routine of camp life threw them much together, and mutual esteem soon grew into a bond of mutual good fellowship.

Thorn was a Massachusetts volunteer; a man who seemed too early old, too early embittered by some cross, for though grim of countenance, rough of speech, cold of manner, a keen observer would have soon discovered traces of a deeper, warmer nature hidden, behind the repellent front he turned upon the world. A true New Englander, thoughtful, acute, reticent, and opinionated; yet earnest withal, intensely patriotic, and often humorous, despite a touch of Puritan austerity.

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Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised by her transcendentalist parents, Abigail May and Amos Bronson Alcott in New England, she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau.

Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard and under it wrote novels for young adults.

Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts and is loosely based on Alcott's childhood experiences with her three sisters. The novel was very well received and is still a popular children's novel today, filmed several times. Alcott was an abolitionist and a feminist and remained unmarried throughout her life. She died in Boston on March 6, 1888. Henry James called her "The novelist of children... the Thackeray, the Trollope, of the nursery and the schoolroom."

As an adult, Alcott was an abolitionist and a feminist. In 1860, Alcott began writing for the Atlantic Monthly. When the American Civil War broke out, she served as a nurse in the Union Hospital at Georgetown, D.C., for six weeks in 1862–1863. She intended to serve three months as a nurse, but halfway through she contracted typhoid and became deathly ill, though she eventually recovered. Her letters home – revised and published in the Commonwealth and collected as Hospital Sketches (1863, republished with additions in 1869) – brought her first critical recognition for her observations and humor. It was originally written for the Boston anti-slavery paper The Commonwealth. She wrote about the mismanagement of hospitals and the indifference and callousness of some of the surgeons she encountered. Her main character, Tribulation Periwinkle, showed a passage from innocence to maturity and is a "serious and eloquent witness". Her novel Moods (1864), based on her own experience, was also promising.

In the mid-1860s, Alcott wrote passionate, fiery novels and sensational stories under the nom de plume A. M. Barnard. Among these are A Long Fatal Love Chase and Pauline's Passion and Punishment. Her protagonists for these tales are willful and relentless in their pursuit of their own aims, which often include revenge on those who have humiliated or thwarted them. She also produced wholesome stories for children, and after their positive reception, she did not generally return to creating works for adults. Adult-oriented exceptions include the anonymous novelette A Modern Mephistopheles (1875), which attracted suspicion that it was written by Julian Hawthorne; and the semi-autobiographical tale Work (1873).

Alcott became even more successful with the first part of Little Women: or Meg, Jo, Beth and Amy (1868), a semi-autobiographical account of her childhood with her sisters in Concord, Massachusetts, published by the Roberts Brothers. Part two, or Part Second, also known as Good Wives (1869), followed the March sisters into adulthood and marriage. Little Men (1871) detailed Jo's life at the Plumfield School that she founded with her husband Professor Bhaer at the conclusion of Part Two of Little Women. Jo's Boys (1886) completed the "March Family Saga".

In Little Women, Alcott based her heroine "Jo" on herself. But whereas Jo marries at the end of the story, Alcott remained single throughout her life. She explained her "spinsterhood" in an interview with Louise Chandler Moulton, "I am more than half-persuaded that I am a man's soul put by some freak of nature into a woman's body ... 

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