Preliminary Material -- Acknowledgements -- Notes on Contributors -- Introduction /Pascale Guibert -- From Interiority to Landscapes and Seascapes: The Metaphors of Reflection in Locke's: Essay Concerning Human Understanding /Matthieu Haumesser -- "Reflections on Reflections": Wordsworth's Narcissistic Landscapes /Aurélie Thiria-Meulemans -- "So the Horizon Line Vanishes": Landscape and Abstraction in England from the 1930s to the 1950s /Sophie Aymes -- Out of the Garrison and Beyond: The Rewriting of the Landscape Tradition in Contemporary Canadian Fiction /Claire Omhovère -- One Land, Three Landscapes: Frank Gillen's Alice Springs /Timothy Mason -- Taking the High Road: The Form, Perception and Memory of Loch Lomond /Allan Ingram -- Digging into the West: Tim Robinson's Deep Landscapes /Eamonn Wall -- The Wilderness as Symbolic Form - Thoreau, Grünewald and the Group of Seven /Jonathan Bordo -- Landscape as Reflection in British Contemporary Art /Marjorie Vanbaelinghem -- Early Wordsworth: Towards the Limits of the Picturesque /Laurent Folliot -- Locations of Memory: A Psycho-Spatial Reading of Traumatic Landscape in Owen Sheers' "Mametz Wood" /Robert Burden -- Negotiating Colonial Contradiction: E. M. Forster's and V. S. Naipaul's Negative Landscapes /Catherine Lanone -- The Desert Landscape: A Sunlit Landscape Amid the Night of Nonbeing /David Jasper -- Page-Landscapes in the Theater of Gertrude Stein /Isabelle Alfandary -- Encountering the Unmappable: The Landscape in Heart of Darkness (Joseph Conrad) /Richard Pedot -- "Entering the Edges": Visual and Verbal Landscapes in Robert Creeley's Collaborations /Barbara Montefalcone -- Index /Pascale Guibert.