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I'll do it to-day, said Peter Binney. He had been sitting deep in thought ever since he had climbed on to the omnibus outside his place of business in the Whitechapel Road. As the vehicle pursued its ponderous way through the crowded streets of the City, stopping now and again to add to its load of homeward-bound business men, Mr. Binney sat in his seat, silent and preoccupied, his eyes on the ground and a thoughtful frown on his face. As it left the Post Office, full inside and out, and bowled smartly along the broad asphalted road towards the Viaduct, his face cleared, the light of determination shone in his eye, and looking up, he said aloud:— "I'll do it to-day." His fellow passengers gazed at him in surprise, and a young lady who sat by his side, heavily fringed and feathered, and laden with a huge cardboard box, laughed a coarse laugh, and said: "That's right, guv'nor, don't you put it off no longer." Mr. Binney had not intended to express his determination aloud, and the notice his remark had drawn annoyed him. As the young lady was apparently turning over in her mind further witticisms, he decided to leave the omnibus and walk the rest of the way to his house in Russell Square. He made his way slowly down the unsteady stairs, and the young lady said: "A good cup o' beef tea's what you want, George, and don't forgit the 'ot-water bottle," and as the omnibus pursued its way, leaving him walking briskly along the pavement, she leant over the side and called out, "Git Mariar to put a mustard plaster on yer chest," which made the people on the omnibus laugh, although Mr. Binney could see no humour in the remark. He had come, however, to such a momentous decision during the last half-hour that by the time he had gone a dozen steps he had ceased to feel any irritation at the young lady's pleasantries, and walked smartly along, his brain all on fire with his mighty purpose. Peter Binney was a small man of about forty-five years of age. His hair was gingery, and his whiskers decidedly red. He looked rather like a little bantam-cock as he strutted along, and this was a curious coincidence, for he had made his fortune by selling poultry food. Every one has heard of Binney's Food for Poultry. Indeed it would be quite impossible for anybody who is able to read to be unaware of its existence, for its fame is blazoned on every hoarding in the United Kingdom. It was Peter Binney who first conceived the idea of advancing the cause of art and advertising his wares at the same time. In the early days, when the future world-famed business was just emerging from its chrysalis state of a little cornchandler's shop in the neighbourhood of the East India Docks, he was content to publish a picture of a simpering young woman in a quilted satin petticoat and dancing shoes, feeding a number of plethoric hens in a very clean farmyard. But when the shop became a factory and Mr. Binney's keen business capacity began to tell, he issued his celebrated series of "Raphael's Cartoons for the Home," across the sky of each of which ran the inscription, "Binney's Food for Poultry." After a little time he published an edition of the "Plays of Shakespeare," in which all the passages that Mr. Bowdler would have omitted were ingeniously converted by Mr. Binney into eulogies on his Food for Poultry. Poultry and taste were alike fed by Mr. Binney, and his business flourished accordingly. At the age of forty-five he found himself a rich man, with a house in Russell Square, a family tomb in Kensal Green Cemetery (tenanted at present only by his wife), and a son who was being educated at Eton.
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