Poems, Series 1
maí 2004 · 1st World Publishing
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The verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio," - something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts. In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without setting her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a very few friends; and it was with great difficulty that she was persuaded to print, during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiously indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness.
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Emily Dickinson was born in Amherst, Massachusetts on December 10, 1830. Although one of America's most acclaimed poets, the bulk of her work was not published until well after her death on May 15, 1886. The few poems published in her lifetime were not received with any great fanfare. After her death, Dickinson's sister Lavinia found over 1,700 poems Emily had written and stashed away in a drawer -- the accumulation of a life's obsession with words. Critics have agreed that Dickinson's poetry was well ahead of its time. Today she is considered one of the best poets of the English language. Except for a year spent at Mount Holyoke Female Seminary in South Hadley, Dickinson spent her entire life in the family home in Amherst, Massachusetts. She never married and began to withdraw from society, eventually becoming a recluse. Dickinson's poetry engages the reader and requires his or her participation. Full of highly charged metaphors, her free verse and choice of words are best understood when read aloud. Dickinson's punctuation and capitalization, not orthodox by Victorian standards and called "spasmodic" by her critics, give greater emphasis to her meanings.
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