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Claudine has always been pretty and Pauline has always been ugly. But when Claudine wants to become famous, she convinces gloomy Pauline—with her angelic voice—to pretend they’re the same person. Yet just as things take off, Claudine commits suicide.
Pauline hatches a new scheme, pulling on her dead sister’s identity, inhabiting her apartment, and reading her mail. As the impersonation continues, Pauline slowly realizes that the cost of femininity is to dazzle on the outside while rotting away on the inside—and that womanhood is what ultimately killed her sister.
"It’s pulp in every sense: propulsively readable, violent, sexy, with all the satisfaction of an inevitable ending. And yet it’s also a feminist parable, blunt and unrelenting in its wrath, and it feels as fresh now as it would have ten years ago." —The Paris Review
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Emma Ramadan is a literary translator. She translates from Providence, Rhode Island, where she is also co-owner of Riffraff bookstore and bar. Her translations include Sphinx and Not One Day by Anne Garréta, Monospace by Anne Parian, and The Curious Case of Dassoukine’s Trousers by Fouad Laroui. She is a recipient of a 2016 PEN/Heim Translation Fund grant for her translation from the French of Ahmed Bouanani’s The Shutters.
