Raising Sparks

Michael Symmons Roberts

2010년 8월 · Random House

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After his first collection - SOFT KEYS - Michael Symmons Roberts was hailed by Les Murray as 'a poet for the new, chastened, unenforcing age of faith that has just dawned'. The metaphysical concerns of that first book are central to this new collection, written in a language at once philosophical, sensuous and lyrical. From a doctor who washes lungs to the structure of genes, from mythical hounds born to fire to a cat's-eye souvenir from a smashed-up road, the scope of this collection is impressive. Whatever the subject, these poems are concerned with elemental themes, with the mapping of experience, and the search for sparks of life at its heart. At the heart of RAISING SPARKS are two sequences - 'Smithereens' and 'Quickenings' - which form part of a continuing collaboration with the composer James MacMillan; the former set as a song cycle and the latter as amajor choral piece. These sequences - alongside intamate lyrics and dramatic meditations on creation, redemption and the end of time - show a poet of enormous range and depth.

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Michael Symmons Roberts was born in Preston, Lancashire in 1963. His books of poetry have won many awards including the Forward Prize and the Costa Poetry Award for Drysalter (2013) and the Whitbread Poetry Prize for Corpus (2004). His Selected Poems was published by Cape in 2016. As a librettist, his work with composers has been performed in concert halls and opera houses around the world. The Sacrifice (for Welsh National Opera) with composer James MacMillan, won an RPS Award for Opera, and choral works Elliptics (for BBC Philharmonic) and The Anvil (for Manchester International Festival) with composer Emily Howard, were both nominated for Ivor Novello Awards. His non-fiction book Edgelands (with Paul Farley, 2011) won the Foyles Book of Ideas Award and the Jerwood Prize. He is an award-winning broadcaster and dramatist, Professor of Poetry at Manchester Metropolitan University and a Fellow of the Royal Society of Literature.