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'My favourite American crime-writer' New York Herald Tribune
As usual, crime is a boom industry in Los Angeles. A gunman walks into a café and shoots a waitress dead, seemingly at random. A schoolgirl is shot from a passing car. A prostitute trying to escape her job is killed by her pimp. Then there's the kidnapped daughter, the shot father and the strangled nurse who scrawls a clue to her assailant's identity.
The Glendale Police Department is being kept very busy with these cases and more off-beat conundrums, including a series of burglaries in which nothing is stolen and a string of break-ins that could only have been committed by midgets or contortionists.
As usual, crime is a boom industry in Los Angeles. A gunman walks into a café and shoots a waitress dead, seemingly at random. A schoolgirl is shot from a passing car. A prostitute trying to escape her job is killed by her pimp. Then there's the kidnapped daughter, the shot father and the strangled nurse who scrawls a clue to her assailant's identity.
The Glendale Police Department is being kept very busy with these cases and more off-beat conundrums, including a series of burglaries in which nothing is stolen and a string of break-ins that could only have been committed by midgets or contortionists.
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In her 67 years, California author Elizabeth Linington wrote 82 crime fiction novels, under her own name as well as the aliases Anne Blaisdell, Lesley Egan, Egan O'Neill and Dell Shannon. Her writing evolved from the early radio and stage dramas, via historical narratives, to her most celebrated novels - mysteries. She was nominated for Edgars in 1961, 1962 and 1963 for Case Pending, Nightmare and Knave of Hearts respectively. Her most successful creation, debonair LAPD Lieutenant Luis Mendoza, broke new ground in being one of the first Latino police officers in the procedural genre, and Linington herself was a pioneer in a male-dominated industry, earning the moniker 'Queen of the Procedurals'.
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