Rethinking Jewishness in Weimar Cinema

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· Film Europa Ibhuku elingu-24 · Berghahn Books
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Izilinganiso nezibuyekezo aziqinisekisiwe  Funda Kabanzi

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The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

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Barbara Hales is a Professor of History and Humanities at the University of Houston-Clear Lake. Her publications focus on film history of the Weimar Republic and the Third Reich. She is the author of Black Magic Woman: Gender and the Occult in Weimar Germany (Peter Lang, 2021). Along with Mihaela Petrescu and Valerie Weinstein, she also co-edited a volume entitled Continuity and Crisis in German Cinema, 1928-1936 (Camden House, 2016). Dr. Hales is President of the Center for Medicine After the Holocaust.

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