Sappho: A New Translation

Β· Univ of California Press
Π•-ΠΊΠ½ΠΈΠ³Π°
128
Π‘Ρ‚Ρ€Π°Π½ΠΈΡ†ΠΈ
Π‘ΠΎΠΎΠ΄Π²Π΅Ρ‚Π½Π°
ΠžΡ†Π΅Π½ΠΈΡ‚Π΅ ΠΈ Ρ€Π΅Ρ†Π΅Π½Π·ΠΈΠΈΡ‚Π΅ Π½Π΅ сС ΠΏΠΎΡ‚Π²Ρ€Π΄Π΅Π½ΠΈ Β Π”ΠΎΠ·Π½Π°Ρ˜Ρ‚Π΅ повСќС

Π—Π° Π΅-ΠΊΠ½ΠΈΠ³Π°Π²Π°

These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, directβ€”the best ever published. She has rendered the beloved poet's verses, long the bane of translators, more authentically than anyone else in English.
Β 

Π—Π° Π°Π²Ρ‚ΠΎΡ€ΠΎΡ‚

Sappho, whom Plato (see Vols. 3 and 4) called "the tenth Muse," was the greatest of the early Greek lyric poets. She was born at Mytilene on Lesbos and was a member---perhaps the head---of a group of women who honored the Muses and Aphrodite. Her family was aristocratic; it is said that she was married and had a daughter. Her brilliant love lyrics, marriage songs, and hymns to the gods are written in Aeolic dialect in many meters, one of which is named for her---the Sapphic. Mostly fragments survive of the nine books she is thought to have authored. Her verse is simple and direct, exquisitely passionate and vivid. Catullus, Ovid, and Swinburne (see Vol. 1) were among the many later poets she influenced.

ΠžΡ†Π΅Π½Π΅Ρ‚Π΅ ја Π΅-ΠΊΠ½ΠΈΠ³Π°Π²Π°

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