School of Mandolin: Blues

Name: School of Mandolin: Blues
Rating: 5 (1 reviews)

Joe Carr

jan. 2011 · Mel Bay Publications

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Om denne e-boken

While the mandolin is not as synonymous with the blues as the guitar, the fiddle's fretted cousin was an important lead voice in many string blues bands of the 1920s through the 1940s including the Mississippi Sheiks, the Memphis Jug Band and the Dallas String Band. In the hands of great players including Carl Martin, Charlie McCoy, Yank Rachell, Howard Armstrong and Johnny Young, the mandolin was a convincing member of the blues ensemble.

All of these player's styles are featured here as well as bluegrass music innovator Bill Monroe, Jethro Burns (Homer and Jethro,) Tiny Moore (Bob Wills' Texas Playboys) and Johnny Gimble Special sections cover basic blues shuffle rhythm, creating your own blues solos, turnarounds and introductions. Music is written in tablature and standard notation. Includes access to online audio.

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Om forfatteren

Beginning in 1985, Joe Carr was a music instructor specializing in Bluegrass, Western Swing and Irish music in the Commercial Music program at South Plains College in Levelland, Texas. He was a director for Camp Bluegrass, a summer residential Music camp. In 1977, Joe joined the internationally known Country Gazette bluegrass band with banjo player Alan Munde and bluegrass legend Roland White. Joe appeared on three group albums, a solo album and numerous other recorded projects during his seven-year tenure with the band. In the 1990s, Carr and Munde formed a duo that toured extensively throughout the U.S., Canada and England and recorded two albums for Flying Fish/Rounder Records. Joe was a regular columnist for Flatpicking Guitar Magazine and Mandolin Magazine. In 1996, the Texas Tech University Press published Prairie Nights to Neon Lights: The Story of Country Music in West Texas by Carr and Munde.

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