關於本電子書
This book redresses the deficit of sustained critical attention paid to Shadow even in the large corpus of Hitchcock scholarship. Analysing the film’s narrative system, issues of genre, authorship, social history, homesickness and ‘family values’, Diane Negra shows how the film’s impeccable narrative structure is wedded to radical ideological content, linking the film’s terrors to the punishing effects of looking beyond conventional family and gender roles. This book understands Shadow as an unconventionally female-centred Hitchcock text and a milestone film that marks the director’s emergent engagement with the pathologies of violence in American life and opens a window into the placement of femininity in World War II consensus culture and more broadly into the politics of mid-century gender and family life.
關於作者
Diane Negra is Professor of Film Studies and Screen Culture at University College Dublin. A member of the Royal Irish Academy, she is the author, editor or co-editor of twelve books ranging from Off-White Hollywood: American Culture and Ethnic Female Stardom (2001) to The Aesthetics and Affects of Cuteness (2016) to Imagining ''We' in the Age of 'I:' Romance and Social Bonding in Contemporary Culture (2021). She serves as Co-Editor-in-Chief of Television and New Media and as Chair of the Irish Fulbright Commission.
