Simply Hitchcock
Aga 2017 · Great Lives Ibhuku elingu-10 · Simply Charly
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"David Sterritt is widely recognized as one of the most knowledgeable, perceptive, and accessible commentators on Alfred Hitchcock’s career. He makes a convincing case for the charm, technical innovativeness, and often perverse wit of Hitchcock’s films and television shows while, at the same time, not shying away from exploring troubling aspects of his career. Relax with this delightful book and prepare for the illumination and sheer pleasure it delivers."
—William Luhr, author of Thinking About Movies: Watching, Questioning, Enjoying and Professor of English at Saint Peter's University
From Dial M for Murder and Vertigo to North by Northwest, Psycho, and The Birds, Alfred Hitchcock (1899–1980) made some of the most memorable thrillers in the history of cinema. Acclaimed for both his daring artistic innovations and his irrepressible showmanship, Hitchcock blended suspense, humor, and psychologically unsettling themes to create an extraordinary body of work.
—William Luhr, author of Thinking About Movies: Watching, Questioning, Enjoying and Professor of English at Saint Peter's University
From Dial M for Murder and Vertigo to North by Northwest, Psycho, and The Birds, Alfred Hitchcock (1899–1980) made some of the most memorable thrillers in the history of cinema. Acclaimed for both his daring artistic innovations and his irrepressible showmanship, Hitchcock blended suspense, humor, and psychologically unsettling themes to create an extraordinary body of work.
In Simply Hitchcock, author and movie critic David Sterritt explores the celebrated director’s entire career, from its beginnings in the British silent film industry to its glory days in Hollywood. He shows Hitchcock as a consummate artist who dealt with deep existential and psychological issues, as well as a mischievous prankster who loved playing tricks on the audience and never lost a chance to pull a dead rabbit out of a hat.
With wit and erudition, Simply Hitchcock paints a comprehensive portrait of a brilliant and complex man, who not only made indelible films, but also succeeded in establishing himself as the most instantly recognizable movie director of all time.
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David Sterritt is a film professor at Columbia University and the Maryland Institute College of Art. The author of The Films of Alfred Hitchcock (1993), he also serves as the editor of The Quarterly Review of Film and Video and is a contributing writer for Cineaste. His writing on Hitchcock has appeared in Film Quarterly, Film-Philosophy, The Christian Science Monitor and other periodicals, and he serves on the editorial advisory board of the Hitchcock Annual. He recently completed ten years as chair of the National Society of Film Critics.
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