Slaphappy: Pride, Prejudice, and Professional Wrestling
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More than that, wrestling provides its fans and performers a medium for thinking about "getting over" in America today. This spectacle of excess may be the apotheosis of American imbecility, but it is also defiant, hopeful, liberating, and unifying -- a throwback to the raucous pleasures of early theater. Fans aren't detached connoisseurs, looking satirically down on life, concealing their anxieties in the cold comforts of irony. They are total participants in a carnival of their own making, shouting epithets, throwing chairs, expatiating their worries in a crowd's triumphant foolishness.
It is, Slaphappy concludes, all the stuff of human culture. Where does fantasy end and reality begin? Where does the performance stop and life take over? Writing with affection and discernment, Hackett gets deep into the culture, discovering that the make-believe competition of wrestling is indeed "real" for millions of young men -- real in the sense that something real and important is at stake: their worth as men.
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Thomas Hackett has been writing for magazines and newspapers for nearly twenty years. Born and raised in Eugene, Oregon, he began contributing "Talk of the Town" pieces while working as a messenger at The New Yorker and has since published features and profiles in many other magazines, including Rolling Stone and the New York Times Magazine. He lives in New York City.
