Slouching Towards Kalamazoo: A Novel
ສ.ຫ. 2012 · University of Chicago Press
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reportບໍ່ໄດ້ຢັ້ງຢືນການຈັດອັນດັບ ແລະ ຄຳຕິຊົມ ສຶກສາເພີ່ມເຕີມ
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The classic American coming of age novel of a precocious young man and the lessons learned from his tutor by “a masterly entertainer and social satirist” (The New York Times).
It is 1963 in an unnamed town in North Dakota, and Anthony Thrasher is languishing for a second year in eighth grade. Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution.
In Slouching Towards Kalamazoo, Peter De Vries finds the perfect vehicle for his eridute wit in Anthony’s restless adolescent voice. Demonstrating a fascination with both language and female anatomy, Anthony’s pitch-perfect narration propels this satirical coming of age tale through theological debates and quandaries both dermatological and ethical, while soaring on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.
It is 1963 in an unnamed town in North Dakota, and Anthony Thrasher is languishing for a second year in eighth grade. Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution.
In Slouching Towards Kalamazoo, Peter De Vries finds the perfect vehicle for his eridute wit in Anthony’s restless adolescent voice. Demonstrating a fascination with both language and female anatomy, Anthony’s pitch-perfect narration propels this satirical coming of age tale through theological debates and quandaries both dermatological and ethical, while soaring on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.
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Peter De Vries (1910–1993), the man responsible for contributing to the cultural vernacular such witticisms as "Nostalgia ain’t what it used to be" and "Deep down, he’s shallow," was, according to Kingsley Amis, "the funniest serious writer to be found on either side of the Atlantic." But De Vries’s life and work was informed as much by sorrow as by wit.
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