Soft Keys
jun 2010 · Random House
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When Corpus won the Whitbread Poetry Award, the judges described it as 'an outstanding, perfectly weighted collection that inspires meditation on the nature of the soul...reading it feels like making an exciting discovery and coming back to an acknowledged classic all at once.' Michael Symmons Roberts' first book, Soft Keys, was the original and most exciting discovery of all.
The poems in Soft Keys engage in a search for meaning and order in the everyday and in the extraordinary - a locust officer tracking swarms in an African desert, a hobbyist building a replica of the world out of matchsticks, a chance encounter with the French mystic Simone Weil playing video games in a Torquay arcade... Richly inventive, and written in a wide diversity of poetic forms, Soft Keys looks for those places and moments where the curtain between earth and heaven is thinnest; it was a powerful, arresting debut and the beginning of a remarkable career.
As Les Murray said at the time: 'Like Nijinsky, he can leap into the air and stay there. You can reach up and feel the thump of the stage finely persisting in an ankle bone. Roberts is a poet for the new, chastened, unenforcing age of faith that has just dawned.'
The poems in Soft Keys engage in a search for meaning and order in the everyday and in the extraordinary - a locust officer tracking swarms in an African desert, a hobbyist building a replica of the world out of matchsticks, a chance encounter with the French mystic Simone Weil playing video games in a Torquay arcade... Richly inventive, and written in a wide diversity of poetic forms, Soft Keys looks for those places and moments where the curtain between earth and heaven is thinnest; it was a powerful, arresting debut and the beginning of a remarkable career.
As Les Murray said at the time: 'Like Nijinsky, he can leap into the air and stay there. You can reach up and feel the thump of the stage finely persisting in an ankle bone. Roberts is a poet for the new, chastened, unenforcing age of faith that has just dawned.'
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Michael Symmons Roberts was born in Preston, Lancashire in 1963. His books of poetry have won many awards including the Forward Prize and the Costa Poetry Award for Drysalter (2013) and the Whitbread Poetry Prize for Corpus (2004). His Selected Poems was published by Cape in 2016. As a librettist, his work with composers has been performed in concert halls and opera houses around the world. The Sacrifice (for Welsh National Opera) with composer James MacMillan, won an RPS Award for Opera, and choral works Elliptics (for BBC Philharmonic) and The Anvil (for Manchester International Festival) with composer Emily Howard, were both nominated for Ivor Novello Awards. His non-fiction book Edgelands (with Paul Farley, 2011) won the Foyles Book of Ideas Award and the Jerwood Prize. He is an award-winning broadcaster and dramatist, Professor of Poetry at Manchester Metropolitan University and a Fellow of the Royal Society of Literature.
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