Will In The World: How Shakespeare Became Shakespeare
Mar 2012 · Random House
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About this ebook
Stephen Greenblatt's Will in the World is widely recognised to be the fullest and most brilliant account ever written of Shakespeare's life, his work and his age.
Shakespeare was a man of his time, constantly engaging with his audience's deepest desires and fears, and by reconnecting with this historic reality we are able to experience the true character of the playwright himself. Greenblatt traces Shakespeare's unfolding imaginative generosity - his ability to inhabit others, to confer upon them his own strength of spirit, to make them truly live as independent beings as no other artist has ever done.
Digging deep into the vital links between the playwright and his world, Will in the World provides the fullest account ever written of the living, breathing man behind the masterpieces.
Shakespeare was a man of his time, constantly engaging with his audience's deepest desires and fears, and by reconnecting with this historic reality we are able to experience the true character of the playwright himself. Greenblatt traces Shakespeare's unfolding imaginative generosity - his ability to inhabit others, to confer upon them his own strength of spirit, to make them truly live as independent beings as no other artist has ever done.
Digging deep into the vital links between the playwright and his world, Will in the World provides the fullest account ever written of the living, breathing man behind the masterpieces.
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4.0
2 reviews
About the author
Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He is the author of twelve books, including The Swerve: How the World Became Modern, which won the National Book Award and a Pulitzer Prize, as well as the New York Times bestseller Will in the World: How Shakespeare Became Shakespeare and the classic university text Renaissance Self-Fashioning.
He is General Editor of The Norton Anthology of English Literature and of The Norton Shakespeare, and has edited seven collections of literary criticism.
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