Summer
sept 2006 · Cosimo, Inc.
Libro electrónico
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OF INTEREST TO: readers of modern American literature, Wharton fans She lay on the warm ridge, thinking of many thing that the woodsman's appearance had stirred up in her. She knew nothing of her early life, and had never felt any curiosity about it: only a sullen reluctance to explore the corner of her memory where certain blurred images lingered. But all that had happened to her within the last few weeks had stirred her to the sleeping depths... -from Summer The sly wit and penetrating wisdom of Edith Wharton-one of the most celebrated novelists in the English language-shines through in this 1917 work, one of her rare "country" novels. Here, small-town librarian Charity Royall is awakened to the limitations of her life-and introduced to the power of passion-by the seductive Lucius Harney, but even far from Wharton's familiar urban ground, she will fall victim to the sexual and social politics that enslave society everywhere. Considered by some a companion novel to Wharton's Ethan Frome, this is an astonishing tale of doomed romance from a master storytelling at the height of her ability. American author EDITH WHARTON (1862-1937) was born into a wealthy New York family and made a career of criticizing and satirizing her own high society in fiction. Her best-known novels include The House of Mirth (1905), Ethan Frome (1911), and The Age of Innocence (1920), which won the Pulitzer Prize. ALSO FROM COSIMO: Wharton's The Descent of Man and Other Stories, and Madame De Treymes
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Edith Wharton was a woman of extreme contrasts; brought up to be a leisured aristocrat, she was also dedicated to her career as a writer. She wrote novels of manners about the old New York society from which she came, but her attitude was consistently critical. Her irony and her satiric touches, as well as her insight into human character, continue to appeal to readers today. As a child, Wharton found refuge from the demands of her mother's social world in her father's library and in making up stories. Her marriage at age 23 to Edward ("Teddy") Wharton seemed to confirm her place in the conventional role of wealthy society woman, but she became increasingly dissatisfied with the "mundanities" of her marriage and turned to writing, which drew her into an intellectual community and strengthened her sense of self. After publishing two collections of short stories, The Greater Inclination (1899) and Crucial Instances (1901), she wrote her first novel, The Valley of Decision (1902), a long, historical romance set in eighteenth-century Italy. Her next work, the immensely popular The House of Mirth (1905), was a scathing criticism of her own "frivolous" New York society and its capacity to destroy her heroine, the beautiful Lily Bart. As Wharton became more established as a successful writer, Teddy's mental health declined and their marriage deteriorated. In 1907 she left America altogether and settled in Paris, where she wrote some of her most memorable stories of harsh New England rural life---Ethan Frome (1911) and Summer (1917)---as well as The Reef (1912), which is set in France. All describe characters forced to make moral choices in which the rights of individuals are pitted against their responsibilities to others. She also completed her most biting satire, The Custom of the Country (1913), the story of Undine Spragg's climb, marriage by marriage, from a midwestern town to New York to a French chateau. During World War I, Wharton dedicated herself to the war effort and was honored by the French government for her work with Belgian refugees. After the war, the world Wharton had known was gone. Even her Pulitzer Prize-winning novel, The Age of Innocence (1920), a story set in old New York, could not recapture the former time. Although the new age welcomed her---Wharton was both a critical and popular success, honored by Yale University and elected to The National Institute of Arts and Letters---her later novels show her struggling to come to terms with a new era. In The Writing of Fiction (1925), Wharton acknowledged her debt to her friend Henry James, whose writings share with hers the descriptions of fine distinctions within a social class and the individual's burdens of making proper moral decisions. R.W.B. Lewis's biography of Wharton, published in 1975, along with a wealth of new biographical material, inspired an extensive reevaluation of Wharton. Feminist readings and reactions to them have focused renewed attention on her as a woman and as an artist. Although many of her books have recently been reprinted, there is still no complete collected edition of her work.
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