THIRD PERSON
YASHODHARA KATKAR
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Yashodhara appears before our eyes not in the set pattern. She appears in an extremely unique way, engrossed in her own world, reinventing herself. Her self-exhibition continues throughout the story. Â Any two or more characters meet each other casually or accidently. The story unfolds through their dialogues. Â The writer does not give us any references to their past or future. So, we have no clue to their relations, whatsoever. From the very first line, the intensity of the stories make us read further, without taking a break. Â These stories are based upon women from the cosmopolitan cities. Yet, there is not even light touch of feminism anywhere. Each of these women lives in her own world and has created an artistic aura. The stories reflect no philosophy, no arguments, no anti-male chauvinism or self-proclamation. That is the essence of it; avoiding any criticism or getting into any controversies. They reflect simple and plain art which is the strong plus point. The words have their own beauty and have aptly penned down the loneliness of the women struggling on their own in the huge outside worldâĻ the metropolitan cities. All these stories will surely prove to be a milestone in the world of literature. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â
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