Ten Years Later
2014. g. janv. · Simon and Schuster
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D'Artagnan Romance III-B In March 1844 the French magazine _Le Sicle, _ printed the first installment of a story by Alexandre Dumas. It was based, Dumas claimed, on some manuscripts he had found a year earlier in the Bibliotheque Nationale while researching a history he planned to write on Louis XIV. The serial chronicled the adventures of D'Artagnan -- a young swordsman intent on joining the king's musketeers. Young D'Artagnan becomes embroiled in court intrigues, international politics, and ill-fated affairs between royal lovers. The book at hand is the second volume of the third serial. Louis XIV is well past the age where he should rule, but the ailing Cardinal Mazarin refuses to relinquish the reins of power. Meanwhile, Charles II, a king without a country, travels Europe seeking aid from his fellow monarchs. Athos still resides at La Fre while his son, Raoul de Bragelonne, has entered into the service in the household of M. le Prince. As for Raoul, he has his eyes on an entirely different object than his father -- his childhood companion, Louise de la Valliere, with whom he is hopelessly in love. Porthos, now a baron, is off on some mysterious mission along with Aramis, who is now the Bishop of Vannes.
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After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.
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