Tender Buttons: Objects—Food—Rooms
Gertrude Stein
stu 2022. · DigiCat
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O ovoj e-knjizi
Gertrude Stein's 'Tender Buttons' is a groundbreaking work of experimental writing that challenges traditional notions of language and structure. Published in 1914, this collection of prose poems showcases Stein's unique style of repetitive phrases and innovative use of syntax, creating a hypnotic and rhythmic reading experience. The fragmented nature of the work invites readers to interpret and engage with language in a new way, making it a seminal text in the modernist literary movement. 'Tender Buttons' is a bold and refreshing departure from conventional literature, pushing the boundaries of what is considered art in the realm of words.
O autoru
Gertrude Stein (1874–1946) was a seminal figure in the modernist literary movement, known for her avant-garde approach to writing and her influential Paris salon. An American novelist, poet, playwright, and art collector, Stein's work broke away from traditional narrative forms, employing a stream-of-consciousness style that often focused on the process of perception and the complexity of language. Her most noted work, 'Tender Buttons' (1914), is a series of experimental poems that employs repetitive phrases, playful sounds, and a collage-like approach to imagery, resonating with Cubist art's contemporaneous revolution in perception and form. Stein's writing style is characterized by its experimental use of language, emphasizing rhythm, tone, and the sonority of words rather than conventional meaning or grammar. She disregarded the linear narrative for a more fluid, associative technique that had a profound impact on the development of modernist literature. Stein's Parisian home became a hub for the avant-garde, attracting figures such as Picasso, Matisse, Hemingway, and Fitzgerald, shaping the discourse around art and literature in the early 20th century. Her contribution to literature extends beyond her written work, encompassing her role as a literary innovator and cultural figure.
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