Tender Napalm
maj 2014 · A&C Black
Libër elektronik
80
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I could squeeze a bullet between those lips. Point first. Press it between those rosebud lips. Prise it between your pearly whites. Gently. I wouldn't break a single tooth.
Philip Ridley's first new play since 2008 marks a change of direction for the acclaimed, ever-restless and maverick writer. Tender Napalm is a high-impact, high-concept two-handed play which explores the landscape that is a relationship between a man and a woman. Explosive, poetic, brutal and ultimately redemptive, the play weaves a compelling theatrical tapestry to re-examine and re-define the language of love.
This volume also contains five poems from the performance sequence Lovesongs for Extinct Creatures: Your Love, Dark Sky Craving, The Silver Hat, I'm Waiting to be Killed and The Seams, publishing for the first time extracts from Philip Ridley's cycle of love poetry.
Philip Ridley's first new play since 2008 marks a change of direction for the acclaimed, ever-restless and maverick writer. Tender Napalm is a high-impact, high-concept two-handed play which explores the landscape that is a relationship between a man and a woman. Explosive, poetic, brutal and ultimately redemptive, the play weaves a compelling theatrical tapestry to re-examine and re-define the language of love.
This volume also contains five poems from the performance sequence Lovesongs for Extinct Creatures: Your Love, Dark Sky Craving, The Silver Hat, I'm Waiting to be Killed and The Seams, publishing for the first time extracts from Philip Ridley's cycle of love poetry.
Rreth autorit
Playwright Philip Ridley was born in the East End of London, where he still lives and works. He is a contemporary artist, poet, novelist, film-maker and one of the country's most celebrated living playwrights. Ridley has been described as 'probably a genius' (Time Out), 'a visionary' (Rolling Stone), 'the master of modern myth' (Guardian) and 'the best British playwright of the last 20 years' (Aleks Sierz, author of In-Yer-Face Theatre).
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