The Beauty and the Bolshevist

· Library of Alexandria
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 The fine face of the editor darkened. It was the face of an idealist—the deep-set, slowly changing eyes, the high cheek bones, but the mouth closed firmly, almost obstinately, and contradicted the rest of the face with a touch of aggressiveness, just as in Lincoln's face the dreamer was contradicted by the shrewd, practical mouth. He crossed his arms above the elbow so that one long hand dangled on one side of his knees and one on the other—a favorite pose of his—and sat thinking.

The editor was often called a Bolshevist—as who is not in these days? For language is given us not only to conceal thought, but often to prevent it, and every now and then when the problems of the world become too complex and too vital, some one stops all thought on a subject by inventing a tag, like "witch" in the seventeenth century, or "Bolshevist" in the twentieth.

Ben Moreton was not a Bolshevist; indeed, he had written several editorials to show that, in his opinion, their doctrines were not sound, but of course the people who denounced him never thought of reading his paper. He was a socialist, a believer in government ownership, and, however equably he attempted to examine any dispute between capital and labor, he always found for labor. He was much denounced by ultraconservatives, and perhaps their instinct was sound, for he was educated, determined, and possessed of a personality that attached people warmly, so that he was more dangerous than those whose doctrines were more militant. He was not wholly trusted by the extreme radicals. His views were not consistently agreeable to either group. For instance, he believed that the conscientious objectors were really conscientious, a creed for which many people thought he ought to be deported. On the other hand, he doubted that Wall Street had started the war for its own purposes, a skepticism which made some of his friends think him just fit for a bomb.

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