The Borgias: Celebrated Crime

ยท The Floating Press
5.0
ื‘ื™ืงื•ืจืช ืื—ืช
ืกืคืจ ื“ื™ื’ื™ื˜ืœื™
261
ื“ืคื™ื
ื›ืฉื™ืจ
ื”ื‘ื™ืงื•ืจื•ืช ื•ื”ื“ื™ืจื•ื’ื™ื ืœื ืžืื•ืžืชื™ืย ืžื™ื“ืข ื ื•ืกืฃ
ืžืขื‘ืจ ืœืกืคืจ ืื•ื“ื™ื•

ืžื™ื“ืข ืขืœ ื”ืกืคืจ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”

Nobody has ever detailed history's most ruthless rulers and tyrants with as much flair and passion as French writer Alexandre Dumas. This gripping exposition of the Borgias, the Italian clan that earned notoriety as one of the world's most power-hungry and corrupt families, is a pulse-pounding read that fans of the true crime genre will find hard to put down.

ื“ื™ืจื•ื’ื™ื ื•ื‘ื™ืงื•ืจื•ืช

5.0
ื‘ื™ืงื•ืจืช ืื—ืช

ืขืœ ื”ืžื—ื‘ืจ

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

ืจื•ืฆื” ืœื“ืจื’ ืืช ื”ืกืคืจ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”?

ื ืฉืžื— ืœืฉืžื•ืข ืžื” ื“ืขืชืš.

ืื™ืš ืงื•ืจืื™ื ืืช ื”ืกืคืจ

ืกืžืืจื˜ืคื•ื ื™ื ื•ื˜ืื‘ืœื˜ื™ื
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ืžื—ืฉื‘ื™ื ื ื™ื™ื“ื™ื ื•ืฉื•ืœื—ื ื™ื™ื
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