The Captain and the Enemy
2018. g. maijs · Open Road Media
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In postwar London, a boy is drawn into a labyrinth of personal betrayals, intrigue, love, and revolution: “In short, a tremendous yarn” (Paul Theroux).
On his twelfth birthday, Victor Baxter is spirited away from boarding school by a stranger known only as the Captain who claims to have won him in a backgammon game with the boy’s diabolical father. Settling into a new life in a dire London flat, Victor becomes the willing ward of his mysterious abductor and the tender and childless Liza. He quickly adapts to the only family he’s ever known, despite the Captain’s long disappearances on suspicious “adventures” and a guarded curiosity about this peculiar but devoted couple who call him son. Then one day, in pursuit of answers, and perhaps an adventure of his own, Victor responds to an entreaty from the Captain to come to Panama. What transpires in this world of dangerous imposture is absolutely revelatory—for both Victor and the Captain.
In Graham Greene’s final novel, “we enter those disparate worlds [he] has made his own—the England of Brighton Rock and The Ministry of Fear, and the exotic Central American territories in which his restless talent has so often roamed” (The New York Times).
On his twelfth birthday, Victor Baxter is spirited away from boarding school by a stranger known only as the Captain who claims to have won him in a backgammon game with the boy’s diabolical father. Settling into a new life in a dire London flat, Victor becomes the willing ward of his mysterious abductor and the tender and childless Liza. He quickly adapts to the only family he’s ever known, despite the Captain’s long disappearances on suspicious “adventures” and a guarded curiosity about this peculiar but devoted couple who call him son. Then one day, in pursuit of answers, and perhaps an adventure of his own, Victor responds to an entreaty from the Captain to come to Panama. What transpires in this world of dangerous imposture is absolutely revelatory—for both Victor and the Captain.
In Graham Greene’s final novel, “we enter those disparate worlds [he] has made his own—the England of Brighton Rock and The Ministry of Fear, and the exotic Central American territories in which his restless talent has so often roamed” (The New York Times).
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Graham Greene (1904–1991) is recognized as one of the most important writers of the twentieth century, achieving both literary acclaim and popular success. His best known works include Brighton Rock, The Heart of the Matter, The Quiet American, and The Power and the Glory. After leaving Oxford, Greene first pursued a career in journalism before dedicating himself full-time to writing with his first big success, Stamboul Train. He became involved in screenwriting and wrote adaptations for the cinema as well as original screenplays, the most successful being The Third Man. Religious, moral, and political themes are at the root of much of his work, and throughout his life he traveled to some of the wildest and most volatile parts of the world, which provided settings for his fiction. Greene was a member of the Order of Merit and a Companion of Honour.
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