The Cartoon Music Book
Daniel Goldmark · Yuval Taylor
2002. g. nov. · Chicago Review Press
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The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
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Film critic and historian Leonard Maltin was born in New York City on December 18, 1950. He grew up in Teaneck, New Jersey and began writing as a teen. Maltin received a degree in journalism from New York University and has published articles in numerous film journals, newspapers, and magazines. He is well-known for his bestselling annual, Leonard Maltin's Movie Guide, the first edition of which he created at the age of 18. Maltin has written or edited many other film-related books and television specials, and he has hosted, produced and/or written video documentaries. His title Leonard Maltin's 2012 Movie Guide made The New York Times Best Seller List for 2012. He has hosted radio and cable programs, was a film critic for Playboy magazine, and has been the movie reviewer for Entertainment Tonight since 1982. Maltin has also appeared in several animated television series including South Park. He lectures on film and taught for nine years at New York City's New School for Social Research. Maltin currently teaches in the School of Cinematic Arts at the University of Southern California. He has been a guest curator for the film department of New York's Museum of Modern Art, president of the Los Angeles Film Critics Association, and a member of the National Film Preservation Board and the Advisory Board of the Hollywood Entertainment Museum. Maltin has been the recipient of awards and citations from the American Society of Cinematographers, Anthology Film Archives, The Society of Cinephiles, and the Telluride Film Festival.
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