The Cherry Orchard
2007. g. marts · Bloomsbury Publishing
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96
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Par šo e-grāmatu
Oh, the trees! Nothing but white and green as far as you can see - remember, Lyuba?
Oh my lovely childhood. Waking up to happiness, looking out at blossom and trees and there they are - the same trees, the same blossom - after cruel winter, warmth and light and feeling!
In his masterpiece The Cherry Orchard, Chekhov maintains an exquisite balance between elegiac celebration of the romance of the past, as embodied in the cherry orchard in full bloom, and the awesome prescience of what is so soon to overwhelm Russia - revolution. The themes are majestic, and yet at the centre of the play is Ranévskaya, a tragic woman who lacks adroitness for survival in a changing world but who has one asset: a capacity for love. It is her solution - and Chekhov's.
This new version of The Cherry Orchard by Pam Gems opened at the Crucible, Sheffield in March 2007.
Oh my lovely childhood. Waking up to happiness, looking out at blossom and trees and there they are - the same trees, the same blossom - after cruel winter, warmth and light and feeling!
In his masterpiece The Cherry Orchard, Chekhov maintains an exquisite balance between elegiac celebration of the romance of the past, as embodied in the cherry orchard in full bloom, and the awesome prescience of what is so soon to overwhelm Russia - revolution. The themes are majestic, and yet at the centre of the play is Ranévskaya, a tragic woman who lacks adroitness for survival in a changing world but who has one asset: a capacity for love. It is her solution - and Chekhov's.
This new version of The Cherry Orchard by Pam Gems opened at the Crucible, Sheffield in March 2007.
Par autoru
Pam Gems' first major success was Dusa, Fish, Stas and Vi staged in 1976. Among her other best-known works are Piaf (1978), Camille (1984), The Danton Affair (1986), The Blue Angel (1991), The Snow Palace (1997) and Stanley (1997), based on the life of the painter Stanley Spencer, first produced at the RNT. Henrik Ibsen (1828-1906) has been described as 'the father of modern theatre'. Most of his early plays were traditional historical dramas. After 'Peer Gynt', a fairy-tale fantasy in verse, Ibsen wrote the rest of his plays in prose, and came to be regarded as the great Naturalist dramatist.
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