The Confession of a Fool
sept. 2020 · Library of Alexandria
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327
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The republication of The Confession of a Fool represents the last link in the chain of Strindberg's autobiographical novels. A German version of the book was published as far back as 1893, but it was mutilated, abbreviated, corrupted, and falsified to such an extent that the attorney-general, misled by the revolting language, blamed the author for the misdeeds of the translator and prohibited the sale of the book. This was a splendid advertisement for this profound work, but there were many who would have rejoiced if the translation had been completely ignored. It distorted Strindberg's character and was the cause of many prejudices which exist to this day.
Schering's new translation is an attempt to make reparation for this crime. "It is impossible," he says, "that any attorney-general can now doubt the high morality of this book." Strindberg himself has called it a terrible book, and has regretted that he ever wrote it. He has never published it in Swedish, his own language, because not only is it too personal in character, but it also revealed a still bleeding wound. It contains the relentless description of his first marriage, so superbly candid an account, that one is reminded of the last testament of a man for whom death has no longer any terror. We know from his fascinating novel Separated, how painful the burden was which he had to bear, and how terribly he suffered during the period of his first marriage. So much so, indeed, that he had to write this book before he could face the thought of death with composure. Doubtless, a man for whom life holds no longer any charm would give us a genuinely truthful account of his inner life, and there is no denying that a book which takes its entire matter from the inner life is of vastly greater importance and on an immeasurably higher level than a million novels, be they written ever so well. The great importance of The Confession of a Fool lies in the fact that it depicts the struggle of a highly intellectual man to free himself from the slavery of sexuality, and from a woman who is a typical representative of her sex.
Schering's new translation is an attempt to make reparation for this crime. "It is impossible," he says, "that any attorney-general can now doubt the high morality of this book." Strindberg himself has called it a terrible book, and has regretted that he ever wrote it. He has never published it in Swedish, his own language, because not only is it too personal in character, but it also revealed a still bleeding wound. It contains the relentless description of his first marriage, so superbly candid an account, that one is reminded of the last testament of a man for whom death has no longer any terror. We know from his fascinating novel Separated, how painful the burden was which he had to bear, and how terribly he suffered during the period of his first marriage. So much so, indeed, that he had to write this book before he could face the thought of death with composure. Doubtless, a man for whom life holds no longer any charm would give us a genuinely truthful account of his inner life, and there is no denying that a book which takes its entire matter from the inner life is of vastly greater importance and on an immeasurably higher level than a million novels, be they written ever so well. The great importance of The Confession of a Fool lies in the fact that it depicts the struggle of a highly intellectual man to free himself from the slavery of sexuality, and from a woman who is a typical representative of her sex.
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