The Father
ພ.ພ. 2012 · Courier Corporation
ປຶ້ມອີບຸກ
64
ໜ້າ
reportບໍ່ໄດ້ຢັ້ງຢືນການຈັດອັນດັບ ແລະ ຄຳຕິຊົມ ສຶກສາເພີ່ມເຕີມ
ກ່ຽວກັບປຶ້ມ e-book ນີ້
The stormy personal life of the great Swedish dramatist August Strindberg was punctuated with duels between the sexes, with ruthless, aggressive women usurping the supposedly male prerogative of decision-making and leadership. More than in any of his other plays, Strindberg explores this theme in depth in The Father.
In exploring the emotionally charged battle of the sexes and the clashes between scientific and religious convictions, The Father vividly delineates the essential quality of a man’s relationship with his wife and his daughter. The problem of paternity, trivial at the outset, develops into marital upheaval and a no-holds-barred struggle between man and woman.
Widely regarded as one of Strindberg's best literary efforts, The Father remains one of the most gripping psychological dramas of the theater.
In exploring the emotionally charged battle of the sexes and the clashes between scientific and religious convictions, The Father vividly delineates the essential quality of a man’s relationship with his wife and his daughter. The problem of paternity, trivial at the outset, develops into marital upheaval and a no-holds-barred struggle between man and woman.
Widely regarded as one of Strindberg's best literary efforts, The Father remains one of the most gripping psychological dramas of the theater.
ກ່ຽວກັບຜູ້ຂຽນ
August Strindberg was born in Stockholm, Sweden on January 22, 1849. He was educated at the University of Uppsala in Sweden, but left without a degree. He began to write while supporting himself at a variety of jobs, including journalist and librarian. He wrote several novels including The Red Room and Black Banners, but was best known as a playwright. His plays include The Father, Miss Julie, Creditors, A Dream Play, and The Ghost Sonata. He also wrote an autobiography entitled The Son of a Servant. He died on May 14, 1912 at the age of 63.
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