The Grey Room: England Literature
Eden Phillpotts
2016 urt. · England Literature 18. liburua · 谷月社
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THE HOUSE PARTY
The piers of the main entrance of Chadlands were of red brick, and upon each reposed a mighty sphere of grey granite. Behind them stretched away the park, where forest trees, nearly shorn of their leaves at the edge of winter, still answered the setting sun with fires of thinning foliage. They sank away through stretches of brake fern, and already amid their trunks arose a thin, blue haze—breath of earth made visible by coming cold. There was frost in the air, and the sickle of a new moon hung where dusk of evening dimmed the green of the western sky.
The guns were returning, and eight men with three women arrived at the lofty gates. One of the party rode a grey pony, and a woman walked on each side of him. They chattered together, and the little company of tweed-clad people passed into Chadlands Park and trudged forward, where the manor house rose half a mile ahead.
Then an old man emerged from a lodge, hidden behind a grove of laurel and bay within the entrance, and shut the great gates of scroll iron. They were of a flamboyant Italian period, and more arrestive than distinguished. Panelled upon them, and belonging to a later day than they, had been imposed two iron coats of arms, with crest above and motto beneath—the heraldic bearings of the present owner of Chadlands. He set store upon such things, but was not responsible for the work. A survival himself, and steeped in ancient opinions, his coat, won in a forgotten age, interested him only less than his Mutiny medal—his sole personal claim to public honor. He had served in youth as a soldier, but was still a subaltern when his father died and he came into his kingdom.
The piers of the main entrance of Chadlands were of red brick, and upon each reposed a mighty sphere of grey granite. Behind them stretched away the park, where forest trees, nearly shorn of their leaves at the edge of winter, still answered the setting sun with fires of thinning foliage. They sank away through stretches of brake fern, and already amid their trunks arose a thin, blue haze—breath of earth made visible by coming cold. There was frost in the air, and the sickle of a new moon hung where dusk of evening dimmed the green of the western sky.
The guns were returning, and eight men with three women arrived at the lofty gates. One of the party rode a grey pony, and a woman walked on each side of him. They chattered together, and the little company of tweed-clad people passed into Chadlands Park and trudged forward, where the manor house rose half a mile ahead.
Then an old man emerged from a lodge, hidden behind a grove of laurel and bay within the entrance, and shut the great gates of scroll iron. They were of a flamboyant Italian period, and more arrestive than distinguished. Panelled upon them, and belonging to a later day than they, had been imposed two iron coats of arms, with crest above and motto beneath—the heraldic bearings of the present owner of Chadlands. He set store upon such things, but was not responsible for the work. A survival himself, and steeped in ancient opinions, his coat, won in a forgotten age, interested him only less than his Mutiny medal—his sole personal claim to public honor. He had served in youth as a soldier, but was still a subaltern when his father died and he came into his kingdom.
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Eden Phillpotts (4 November 1862 – 29 December 1960) was an English author, poet and dramatist. He was born in Mount Abu, British India, educated in Plymouth, Devon, and worked as an insurance officer for 10 years before studying for the stage and eventually becoming a writer.
He co-wrote two plays with his daughter Adelaide Phillpotts, The Farmer's Wife (1924) and Yellow Sands (1926); but is best known as the author of many novels, plays and poems about Dartmoor. His Dartmoor cycle of 18 novels and two volumes of short stories still has many avid readers despite the fact that many titles are out of print.
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