The Harpy
Sep 2020 · Pan Macmillan
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‘Brilliant . . . A deeply unsettling, excellent read’ - Daisy Johnson, author of Everything Under
'A potent contemporary fable . . . riveting' - Guardian
‘Genuinely thrilling . . . one long beautiful scream’ - Evie Wyld
Lucy lives with her husband Jake and their two boys. Her life is devoted to her children, her days mapped out by their finely tuned routine.
Until a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband. He thought she should know.
Lucy is distraught. She decides to stay with Jake, if only for the children’s sake, but in order to even the score, they agree that she will hurt him three times. Jake will not know when the hurt is coming, or what form it will take. And so begins a delicate game of crime and punishment, from which there is no return . . .
Told in dazzling, musical prose, The Harpy by Megan Hunter is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power and revenge, of metamorphosis and renewal.
‘Utterly compelling . . . precise and darkly truthful’ Esther Freud
'A potent contemporary fable . . . riveting' - Guardian
‘Genuinely thrilling . . . one long beautiful scream’ - Evie Wyld
Lucy lives with her husband Jake and their two boys. Her life is devoted to her children, her days mapped out by their finely tuned routine.
Until a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband. He thought she should know.
Lucy is distraught. She decides to stay with Jake, if only for the children’s sake, but in order to even the score, they agree that she will hurt him three times. Jake will not know when the hurt is coming, or what form it will take. And so begins a delicate game of crime and punishment, from which there is no return . . .
Told in dazzling, musical prose, The Harpy by Megan Hunter is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power and revenge, of metamorphosis and renewal.
‘Utterly compelling . . . precise and darkly truthful’ Esther Freud
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Megan Hunter is a prizewinning novelist, dramatist and screenwriter. Her first novel, The End We Start From (2017) was shortlisted for Novel of the Year at the Books Are My Bag Awards, longlisted for the Aspen Words Prize, was a Barnes and Noble Discover Awards finalist and won the Forward Reviews Editor’s Choice Award. It was adapted into a major motion picture by Alice Birch, starring Jodie Comer and directed by Mahalia Belo. Her second novel, The Harpy (2020), was Indie Book of the Month; she is currently adapting it for television with Red Planet Pictures. In 2024 her dramatic monologue Salt of the Earth premiered at Venice Film Festival. Megan’s other writing has appeared in the White Review, the TLS, Literary Hub, Vogue, Elle, BOMB, and elsewhere. She lives in Cambridge, UK.
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