The Human Boy Again: England Literature
Eden Phillpotts
ian. 2016 · England Literature Cartea 19 · 谷月社
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PETERS, DETECTIVE
I
Being from the first the chum and friend of Peters, I can tell about his curious ways better than anybody. In fact we shared our pocket-money, which is always a great sign of friendship; and it was understood that if ever I got into trouble when I grew up, and was accused of murder or forgery, or anything like that, which does often happen to the most innocent people, Peters would give up anything he might be doing at the time, and devote his entire life to proving me not guilty.
I remember well the day he came. I was in the big school-room at the fire, roasting chestnuts and talking to Gideon; and Shortland and Fowle were also there. The Doctor came in with a new boy and said—
"Ah! There are some of the fellows by the fire, Peters."
Then he called out to Shortland and me and said—
"Shortland and Maydew, this is Peters. Make him welcome, and if there are chestnuts going, as I suspect, share them with him."
Then the Doctor went off to have some final jaw with the mother of Peters; and Peters came down the room and said "Good-evening" in a very civil and quiet tone of voice.
He was thin and dark, and when he warmed his hands at the fire it was easy to see the light through them. He also had a pin in his tie in the shape of a human skull, about as big as a filbert nut, with imitation ruby eyes.
We asked him who he was, and he said he came from Surrey, and that his father had been a soldier, but was unfortunately dead. His name was Vincent Peters.
I
Being from the first the chum and friend of Peters, I can tell about his curious ways better than anybody. In fact we shared our pocket-money, which is always a great sign of friendship; and it was understood that if ever I got into trouble when I grew up, and was accused of murder or forgery, or anything like that, which does often happen to the most innocent people, Peters would give up anything he might be doing at the time, and devote his entire life to proving me not guilty.
I remember well the day he came. I was in the big school-room at the fire, roasting chestnuts and talking to Gideon; and Shortland and Fowle were also there. The Doctor came in with a new boy and said—
"Ah! There are some of the fellows by the fire, Peters."
Then he called out to Shortland and me and said—
"Shortland and Maydew, this is Peters. Make him welcome, and if there are chestnuts going, as I suspect, share them with him."
Then the Doctor went off to have some final jaw with the mother of Peters; and Peters came down the room and said "Good-evening" in a very civil and quiet tone of voice.
He was thin and dark, and when he warmed his hands at the fire it was easy to see the light through them. He also had a pin in his tie in the shape of a human skull, about as big as a filbert nut, with imitation ruby eyes.
We asked him who he was, and he said he came from Surrey, and that his father had been a soldier, but was unfortunately dead. His name was Vincent Peters.
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Eden Phillpotts (4 November 1862 – 29 December 1960) was an English author, poet and dramatist. He was born in Mount Abu, British India, educated in Plymouth, Devon, and worked as an insurance officer for 10 years before studying for the stage and eventually becoming a writer.
He co-wrote two plays with his daughter Adelaide Phillpotts, The Farmer's Wife (1924) and Yellow Sands (1926); but is best known as the author of many novels, plays and poems about Dartmoor. His Dartmoor cycle of 18 novels and two volumes of short stories still has many avid readers despite the fact that many titles are out of print.
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