關於這本電子書
When some strongarm hoods try to muscle in on the fight game, hefty Joe Puma is hired to find out who's doing the dirty work.
What looks like a typical rackets murder turns out to be a dangerous deal for the private eye. He tussles with some trigger-happy punks and a couple of lethal beauties.
Then in one quick leap from mattress to mat he finds himself in a clinch with a murderer who's still fighting, still hating, still bent . . . on the kill.
What looks like a typical rackets murder turns out to be a dangerous deal for the private eye. He tussles with some trigger-happy punks and a couple of lethal beauties.
Then in one quick leap from mattress to mat he finds himself in a clinch with a murderer who's still fighting, still hating, still bent . . . on the kill.
關於作者
William Campbell Gault (1910 1995) was a critically acclaimed pulp novelist. Born in Milwaukee, Wisconsin, he took seven years to graduate from high school. Though he was part of a juvenile gang, he wrote poetry in his spare time, signing it with a girl s name lest one of his friends find it. He sold his first story in 1936, and built a great career writing for pulps like "Paris Nights", "Scarlet Adventures", and the infamous "Black Mask". In 1939, Gault quit his job and started writing fulltime.When the success of his pulps began to fade in the 1950s, Gault turned to longer fiction, winning an Edgar Award for his first mystery, "Don t Cry for Me" (1952), which he wrote in twenty-eight days. He created private detectives Brock Callahan and Joe Puma, and also wrote juvenile sports books like "Cut-Rate Quarterback" (1977) and "Wild Willie, Wide Receiver" (1974). His final novel was "Dead Pigeon" (1992), a Brock Callahan mystery.
為這本電子書評分
請分享你的寶貴意見。
閱讀資訊
智能手機和平板電腦
手提電腦和電腦
你可以使用電腦的網絡瀏覽器聆聽在 Google Play 上購買的有聲書。
電子書閱讀器及其他裝置
如要在 Kobo 等電子墨水裝置上閱覽書籍，你需要下載檔案並傳輸到你的裝置。請按照說明中心的詳細指示，將檔案傳輸到支援的電子書閱讀器。
