The Jew of Malta
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The spirit of Machiavelli presides over The Jew of Malta, in which the title character relentlessly plots to maintain and extend his political influence and wealth. A paragon of remorseless evil, Barabas befriends and betrays the Turkish invaders and native Maltese alike, incites a duel between the suitors for his daughter's hand, and takes lethal revenge upon a convent of nuns.
Both tragedy and farce, this masterpiece of Elizabethan theater reflects the social and political complexities of its age. Christopher Marlowe's dramatic hybrid resonates with racial tension, religious conflict, and political intrigue â all of which abounded in 16th-century England. The playwright, who infused each one of his plays with cynical humor and a dark world view, draws upon stereotypes of Muslim and Christian as well as Jewish characters to cast an ironic perspective on all religious beliefs.
The immediate success of The Jew of Malta on the Elizabethan stage is presumed to have influenced Marlowe's colleague, William Shakespeare, to draw upon the same source material for The Merchant of Venice. The character of Barabas is the prototype for the well-known Shylock, and this drama of his villainy remains a satirical gem in its own right.
Both tragedy and farce, this masterpiece of Elizabethan theater reflects the social and political complexities of its age. Christopher Marlowe's dramatic hybrid resonates with racial tension, religious conflict, and political intrigue â all of which abounded in 16th-century England. The playwright, who infused each one of his plays with cynical humor and a dark world view, draws upon stereotypes of Muslim and Christian as well as Jewish characters to cast an ironic perspective on all religious beliefs.
The immediate success of The Jew of Malta on the Elizabethan stage is presumed to have influenced Marlowe's colleague, William Shakespeare, to draw upon the same source material for The Merchant of Venice. The character of Barabas is the prototype for the well-known Shylock, and this drama of his villainy remains a satirical gem in its own right.
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Christopher Marlowe was born in Canterbury, England on February 6, 1564. He received a B.A. in 1584 and an M.A. in 1587 from Corpus Christi College, Cambridge. His original plans for a religious career were put aside when he decided to become a poet and playwright. His earliest work was translating Lucan and Ovid from Latin into English. He translated Vergil's Aeneid as a play. His plays included Tamburlaine the Great, Faustus, The Jew of Malta, and Dido, Queen of Carthage. His unfinished poem Hero and Leander was published in 1598. In 1589, he and a friend killed a man, but were acquitted on a plea of self-defense. His political views were unorthodox, and he was thought to be a government secret agent. He was arrested in May 1593 on a charge of atheism. He was killed in a brawl in a Deptford tavern on May 30, 1593.
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