The Little Men

· Bibliomysteries کتاب 21 · Open Road Media
ای بک
71
صفحات
اہل ہے
درجہ بندیوں اور جائزوں کی تصدیق نہیں کی جاتی ہے  مزید جانیں

اس ای بک کے بارے میں

In 1950s Hollywood, an actress is haunted by a bookseller’s death: A novella from the Edgar Award-winning author of Give Me Your Hand.
 
In 1953, Penny is just another washed-up, wannabe Hollywood actress who is past her prime. She has settled in to a quiet lifestyle, and when she finds a low-rent bungalow in Canyon Arms, it’s a dream come true; Penny takes to the place instantly.
 
But the dream cottage with its French doors and tiled courtyard may not be as perfect as it seems. Penny’s new neighbors start filling her head with stories about past tenants, whispering voices, and a suicide that may not have been a suicide at all. Soon enough, Penny starts hearing strange noises and she can’t help but wonder about the true fate of the bookseller who died in her home a dozen years earlier. Her suspicions are only fueled by the ominous inscription that she discovers in a book that’s closely guarded by her landlord . . .
 
From the national bestselling author of Dare Me and other thrillers, this is a spooky mystery set on the dark fringes of glamorous Los Angeles.

The Bibliomysteries are a series of short tales about deadly books, by top mystery authors.

مصنف کے بارے میں

Megan Abbott is an American crime author. Her novel Queenpin earned her the Edgar award, and her latest novel, The Fever, was chosen as one of the Best Books of the Summer by the New York Times. Abbott received her Ph.D. in English and American literature from New York University and has taught at NYU, SUNY, and The New School. In 2013-14, she served as the John Grisham Writer in Residence at Ole Miss. Abbott also wrote the nonfiction book, The Street Was Mine: Masculinity in Hardboiled Fiction and Film Noir, and is the editor of A Hell of a Woman, an anthology of crime fiction. Her writing has appeared in: The New York Times, Salon.com, The Guardian, The Wall Street Journal, Los Angeles Times, The Believer, and Los Angeles Review of Books.

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