The Mackerel Plaza: A Novel
2014. g. okt. · Open Road Media
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Par šo e-grāmatu
An irresistible comedy about faith, desire, and middle-class morality from the man described by Kingsley Amis as “the funniest serious writer to be found on either side of the Atlantic”
Pity the poor reverend Andrew Mackerel of the People’s Liberal Church of Avalon, Connecticut. His is the first split-level church in America, a bastion of modern thought and sophisticated virtue, yet even his prosperous parishioners are not immune to the backsliding evangelism infecting other parts of the country. One misguided congregant wants to sing hymns to hospital patients. Another goes so far as to put up a billboard with the message “Jesus Saves” written in phosphorescent green-and-orange letters. How is Mackerel supposed to write sermons with a vulgarity like that staring him in the face?
Worse yet, the recently widowed pastor has fallen in love with Molly Calico, a former actress turned city hall clerk, well before the church is ready to stop mourning Mackerel’s saintly wife. Plans are under way for a shopping mall and memorial plaza commemorating the dear departed, and Mackerel must go to ever-greater lengths to keep his new romance a secret and his new paramour happy. Meanwhile, it is becoming clear that his devoted sister-in-law, Hester, has plans of her own when it comes to the reverend’s matrimonial future.
As Mackerel twists and turns to get what he wants and avoid what he does not, the plot of this rollicking portrait of suburban piety kicks into high—and hilarious—gear.
Pity the poor reverend Andrew Mackerel of the People’s Liberal Church of Avalon, Connecticut. His is the first split-level church in America, a bastion of modern thought and sophisticated virtue, yet even his prosperous parishioners are not immune to the backsliding evangelism infecting other parts of the country. One misguided congregant wants to sing hymns to hospital patients. Another goes so far as to put up a billboard with the message “Jesus Saves” written in phosphorescent green-and-orange letters. How is Mackerel supposed to write sermons with a vulgarity like that staring him in the face?
Worse yet, the recently widowed pastor has fallen in love with Molly Calico, a former actress turned city hall clerk, well before the church is ready to stop mourning Mackerel’s saintly wife. Plans are under way for a shopping mall and memorial plaza commemorating the dear departed, and Mackerel must go to ever-greater lengths to keep his new romance a secret and his new paramour happy. Meanwhile, it is becoming clear that his devoted sister-in-law, Hester, has plans of her own when it comes to the reverend’s matrimonial future.
As Mackerel twists and turns to get what he wants and avoid what he does not, the plot of this rollicking portrait of suburban piety kicks into high—and hilarious—gear.
Par autoru
Peter De Vries (1910–1993) was born in Chicago to Dutch immigrant parents. His father wanted him to join the clergy, but after attending Calvin College and Northwestern University, De Vries found work as a vending-machine operator, a toffee-apple salesman, a radio actor, and an editor at Poetry magazine. His friend and mentor James Thurber brought him to the attention of the New Yorker, and in 1944 De Vries moved to New York to become a regular staff contributor to the magazine, where he worked for the next forty years.
A prolific author of novels, short stories, parodies, poetry, and essays, he published twenty-seven books during his lifetime and was heralded by Kingsley Amis as the “funniest serious writer to be found either side of the Atlantic.” De Vries was inducted into the American Academy of Arts and Letters in 1983, taking his place alongside Mark Twain, Dorothy Parker, and S. J. Perelman as one of the nation’s greatest wits.
A prolific author of novels, short stories, parodies, poetry, and essays, he published twenty-seven books during his lifetime and was heralded by Kingsley Amis as the “funniest serious writer to be found either side of the Atlantic.” De Vries was inducted into the American Academy of Arts and Letters in 1983, taking his place alongside Mark Twain, Dorothy Parker, and S. J. Perelman as one of the nation’s greatest wits.
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