The Metal Children: A Play

· Macmillan + ORM
4.0
1 جائزہ
ای بک
126
صفحات
اہل ہے
درجہ بندیوں اور جائزوں کی تصدیق نہیں کی جاتی ہے  مزید جانیں

اس ای بک کے بارے میں

A play about a banned book, a small town, and fiction’s power to both divide and unite, from the “prodigiously talented” Pulitzer Prize finalist (Charles Isherwood, Variety).

In small-town America, a young adult novel about teen pregnancy is banned by the local school board, igniting a fierce and violent debate over abortion, religious beliefs, and modern feminism. The decade-old novel’s directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.

Acclaim for Adam Rapp

“An original . . . a distinctive voice.” —Michael Kuchwara, Associated Press

“An oblique and haunting style reminiscent of Haruki Murakami’s best fiction.” —Ed Park, The Village Voice

“Rapp is a latter-day incarnation of Sam Shepard.” —John Lahr, The New Yorker

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4.0
1 جائزہ

مصنف کے بارے میں

Adam Rapp is an OBIE Award-winning playwright and director, as well as a novelist, filmmaker, actor, and musician. His play The Purple Lights of Joppa Illinois had its world première at South Coast Repertory. His other plays include Red Light Winter (Citation from the American Theatre Critics Association, a Lucille Lortel Nomination for Best New Play, two OBIE Awards, and was named a finalist for the 2006 Pulitzer Prize), Blackbird, The Metal Children, Finer Noble Gases, Through The Yellow Hour, The Hallway Trilogy, Nocturne, Ghosts in the Cottonwoods, Animals and Plants, Stone Cold Dead Serious, Faster, Gompers, Essential Self-Defense, American Slingo, and Kindness. For film, he wrote the screenplay for Winter Passing; and directed Loitering with Intent. Rapp has been the recipient of the 1999 Princess Grace Award for Playwriting, a 2000 Roger L. Stevens Award from the Kennedy Center Fund for New American Plays, the 2001 Helen Merrill Award for Emerging Playwrights, and Boston’s Elliot Norton Award; and was short-listed for the 2003 William Saroyan International Prize for Writing, received the 2006 Princess Grace Statue, a 2007 Lucille Lortel Playwriting Fellowship, and the Benjamin H. Danks Award from the American Academy of Arts and Letters.

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