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Cultural criticism at its best, The Metropolitan Critic sees essayist, critic and poet Clive James mix high and pop culture commentary – from Tom Wolfe to Tom and Jerry, from Seamus Heaney to Oz magazine.
In 1974, The Metropolitan Critic started a new trend in cultural comment which has since become an orthodoxy. The young Clive James was the first journalist in London to talk about high culture and pop culture as if they were equally fascinating fields of endeavour, and he did it in an incomparably engaged, fluent, sparkling style.
Even at that early stage, the learning behind his literary high-wire act was formidable: a portent of the wide-ranging erudition that in subsequent years was to underpin the further volumes of critical prose and the television column that made him famous.
An extra delight of this edition is a set of self-critical footnotes which, combined with a nostalgic introduction, evoke what literary London was like when the author, low on salary but high on hope, was making his spectacular start.
Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic.
Praise for Clive James:
'The perfect critic' – A.O. Scott, New York Times
'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker
'A wonderfully witty and intelligent writer' – Verity Lambert
In 1974, The Metropolitan Critic started a new trend in cultural comment which has since become an orthodoxy. The young Clive James was the first journalist in London to talk about high culture and pop culture as if they were equally fascinating fields of endeavour, and he did it in an incomparably engaged, fluent, sparkling style.
Even at that early stage, the learning behind his literary high-wire act was formidable: a portent of the wide-ranging erudition that in subsequent years was to underpin the further volumes of critical prose and the television column that made him famous.
An extra delight of this edition is a set of self-critical footnotes which, combined with a nostalgic introduction, evoke what literary London was like when the author, low on salary but high on hope, was making his spectacular start.
Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic.
Praise for Clive James:
'The perfect critic' – A.O. Scott, New York Times
'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker
'A wonderfully witty and intelligent writer' – Verity Lambert
關於作者
Clive James was the author of more than forty books. As well as essays, he published collections of literary and television criticism, travel writing, verse and novels, plus five volumes of autobiography, Unreliable Memoirs, Falling Towards England, May Week Was In June, North Face of Soho and The Blaze of Obscurity. As a television performer he appeared regularly for both the BBC and ITV, most notably as writer and presenter of the Postcard series of travel documentaries. He published several poetry collections, including the Sunday Times bestseller Sentenced to Life, and a translation of Dante’s The Divine Comedy, which was also a Sunday Times bestseller. In 1992 he was made a Member of the Order of Australia and in 2003 he was awarded the Philip Hodgins memorial medal for literature. He held honorary doctorates from Sydney University and the University of East Anglia. In 2012 he was appointed CBE and in 2013, an Officer of the Order of Australia. He died in 2019.
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