The Octopus
Mas 2013 · Courier Corporation
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432
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Based on an actual bloody dispute in 1880 between wheat farmers and the Southern Pacific Railroad, this shocking tale of lust for power, greed, and betrayal plays out during the last days of the western frontier. As the beast that encircled and strangled ranches, "The Railroad" personified evil. Through its owners and agents, it controlled the local paper, the land, the legislature, and even representatives on the state rate-fixing commission. But the farmers were not completely blameless, using such tactics as coercion and violence in an attempt to achieve their ends. Inspired by the work of French author Emile Zola, The Octopus is a novel of remarkable sweep and range, vividly and relentlessly recording social and economic problems of the late 19th century.
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Considered one of the leading pioneers in American Naturalism, Frank Norris is read and studied for his vivid and honest depiction of life at the beginning of a lusty and developing new century. Born in Chicago, he moved to San Francisco with his well-to-do family when he was 14 and went on to attend the University of California and Harvard University before becoming a war correspondent in South Africa and Cuba. His early apprentice work consisted mostly of rather unremarkable adventure stories, but with the long-gestating McTeague: A Story of San Francisco (1899), he struck a new note. That powerful study of avarice in a seedy section of the Bay Area may well be Norris's masterpiece. The Octopus (1901), the first of Norris's projected Epic of the Wheat series, deals with the raising of wheat in California and the struggle of ranchers against the railroads, while The Pit (1903) is a novel about speculation on the Chicago wheat exchange. Unfortunately, Norris died suddenly after an operation for appendicitis. Like Stephen Crane, a writer with whom Norris is frequently compared, Norris died too young to fulfill his considerable promise, but he has more than held his own ground among turn-of-the-century writers whose works have lived. One reason may be that he took his craft as a writer seriously, as is shown by his posthumously published Responsibilities of the Novelist and Other Literary Essays (1903) and The Literary Criticism of Frank Norris, edited by Donald Pizer.
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