The Palace
10/2013 · Hachette UK
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The palace was several hundred years old, a sort of haphazard medieval city containing church buildings, stables, army barracks - and the offices and homes of the ministers of the Revolutionary Government, in a Communist satellite country somewhere in Europe. The palace rose starkly and threateningly out of the marshes, its three great gilt domes reminding observers of the glittering monarchies that once resided there. But all was changed, all was forbidding.
"We stand too high to be human, Katarin", says the President of the country to his tempestuous, unloving wife. The revolution, which made him absolute ruler, has also taken him away from Katarin, dehumanizing him and his power-ridden ministers. Katarin, in defiance of the restrictions that bind her life, takes a lover, finding herself liberated even as she senses that the consequences are sure to be disastrous.
"We stand too high to be human, Katarin", says the President of the country to his tempestuous, unloving wife. The revolution, which made him absolute ruler, has also taken him away from Katarin, dehumanizing him and his power-ridden ministers. Katarin, in defiance of the restrictions that bind her life, takes a lover, finding herself liberated even as she senses that the consequences are sure to be disastrous.
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D G Compton (1930 - )
David Guy Compton was born in London in 1930. His early works were crime novels published under 'Guy Compton', but he began producing SF as 'D.G. Compton' in 1965 with The Quality of Mercy. His 1970 novel The Steel Crocodile received a Nebula nomination, but it was 1974's The Continuous Katherine Mortenhoe that made his reputation. Eerily predictive of the 21st century's obsessions with media voyeurism and 'reality television', it was filmed as Death Watch in 1980. He lives in Maine, in the United States.
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