The Red Redmaynes: England Literature

· England Literature Bog 20 · 谷月社
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THE RUMOUR

Every man has a right to be conceited until he is famous—so it is said; and perhaps unconsciously, Mark Brendon shared that opinion.

His self-esteem was not, however, conspicuous, although he held that only a second-rate man is diffident. At thirty-five years of age he already stood high in the criminal investigation department of the police. He was indeed about to receive an inspectorship, well earned by those qualities of imagination and intuition which, added to the necessary endowment of courage, resource, and industry, had created his present solid success.

A substantial record already stood behind him, and during the war certain international achievements were added to his credit. He felt complete assurance that in ten years he would retire from government employ and open that private and personal practice which it was his ambition to establish.

And now Mark was taking holiday on Dartmoor, devoting himself to his hobby of trout fishing and accepting the opportunity to survey his own life from a bird's-eye point of view, measure his achievement, and consider impartially his future, not only as a detective but as a man.

Mark had reached a turning point, or rather a point from which new interests and new personal plans were likely to present themselves upon the theatre of a life hitherto devoted to one drama alone. Until now he had existed for his work only. Since the war he had been again occupied with routine labour on cases of darkness, doubt, and crime, once more living only that he might resolve these mysteries, with no personal interest at all outside his grim occupation. He had been a machine as innocent of any inner life, any spiritual ambition or selfish aim, as a pair of handcuffs.

This assiduity and single-hearted devotion had brought their temporal reward. He was now at last in position to enlarge his outlook, consider higher aspects of life, and determine to be a man as well as a machine.

 

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Om forfatteren

 Eden Phillpotts (4 November 1862 – 29 December 1960) was an English author, poet and dramatist. He was born in Mount Abu, British India, educated in Plymouth, Devon, and worked as an insurance officer for 10 years before studying for the stage and eventually becoming a writer.

He co-wrote two plays with his daughter Adelaide Phillpotts, The Farmer's Wife (1924) and Yellow Sands (1926); but is best known as the author of many novels, plays and poems about Dartmoor. His Dartmoor cycle of 18 novels and two volumes of short stories still has many avid readers despite the fact that many titles are out of print.

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