The Rubicon: Top Novelist Focus
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The little red-roofed town of Hayes lies in a furrow of the broad-backed Wiltshire Downs; it was once an important posting station, and you may still see there an eighteenth century inn, much too large for the present requirements of the place, and telling of the days when, three times a week, the coach from London used to pull up at its hospitable door, and wait there half-an-hour while its passengers dined. The inn is called the Grampound Arms, and you will find that inside the church many marble Grampounds recline on their tombs, or raise hands of prayer, while outside in the churchyard, weeping cherubs, with reversed torches, record other pious and later memories of the same family.
But almost opposite the Grampound Arms you will notice a much newer inn, where commercial gentlemen make merry, called the Aston Arms, and on reference to monumental evidence, you would also find that cherubs are shedding similar pious tears for a Sir James Aston, Bart., and his wife, and, thirty years later, for James Aston, first Lord Hayes, and his wife. But for the Astons, no marble knights keep watch on Gothic tombs.
The river Kennet, in its green wanderings, has already passed, before it reaches Hayes, two houses, one close down by the river, the other rather higher up and on the opposite bank. The smaller and older of the two is the residence of Mr. Grampound, the larger and newer of Lord Hayes. These trifling facts, which almost all the inhabitants of Hayes could tell you, will sufficiently indicate the mutual position of the two families in the latter half of the nineteenth century.
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About the author
Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
