The Sea-Wolf: Classic American Literature
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Had it not been my custom to run up to see him every Saturday afternoon and to stop over till Monday morning, this particular January Monday morning would not have found me afloat on San Francisco Bay.
Not but that I was afloat in a safe craft, for the _Martinez_ was a new ferry-steamer, making her fourth or fifth trip on the run between Sausalito and San Francisco.
The danger lay in the heavy fog which blanketed the bay, and of which, as a landsman, I had little apprehension.
In fact, I remember the placid exaltation with which I took up my position on the forward upper deck, directly beneath the pilot-house, and allowed the mystery of the fog to lay hold of my imagination.
A fresh breeze was blowing, and for a time I was alone in the moist obscurity—yet not alone, for I was dimly conscious of the presence of the pilot, and of what I took to be the captain, in the glass house above my head.
I remember thinking how comfortable it was, this division of labour which made it unnecessary for me to study fogs, winds, tides, and navigation, in order to visit my friend who lived across an arm of the sea....
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John Griffith "Jack" London (1876 – 1916)was an American author, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone.
Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf.
London was part of the radical literary group, "The Crowd", in San Francisco, and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.
