The Seventh Sleeper
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THEY WERE DAMNED TO A LIVING HELL—AND REBORN INTO A TERRIFYING NEW ORDER...
CITY OR THE DEAD
They are called "sleepers"—comatose "zombies" discovered in the slums of Miami. Their fingerprints obliterated, their ice-cold naked flesh impervious to pain, they stare wide-eyed in stark, silent terror—once-human prisoners trapped in limbo between life and death. And they guard a blood-chilling secret that will drag Dr. Sara Copley and Detective Lee Valdez through the mysterious Santeria underworld... and into a brilliant, twisted sociopath's isolated hell in the Florida Everglades. For there, inhuman experiments are underway that pervert every law of God and nature. And there, mankind's ultimate nightmare will become reality... once the seventh sleeper is awakened...
CITY OR THE DEAD
They are called "sleepers"—comatose "zombies" discovered in the slums of Miami. Their fingerprints obliterated, their ice-cold naked flesh impervious to pain, they stare wide-eyed in stark, silent terror—once-human prisoners trapped in limbo between life and death. And they guard a blood-chilling secret that will drag Dr. Sara Copley and Detective Lee Valdez through the mysterious Santeria underworld... and into a brilliant, twisted sociopath's isolated hell in the Florida Everglades. For there, inhuman experiments are underway that pervert every law of God and nature. And there, mankind's ultimate nightmare will become reality... once the seventh sleeper is awakened...
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SHAMUS AWARD-winning author Rodman Philbrick grew up on the New England coast, where he worked as a longshoreman and boat builder. For many years he wrote thrillers, mysteries and detective novels. The Private Eye Writers of America nominated two of his T.D. Stash series as best detective novel, and then selected Philbrick's Brothers & Sinners as Best Novel in 1993. Philbrick’s Freak the Mighty was the basis of a Golden Globe-nominated Sharon Stone movie titled simply The Mighty, released in 1998. Praise for Rodman Philbrick “This tale is a page-turner.” —Publishers Weekly (Hunger) "The most striking, gritty arrival of a handicapped sleuth since the appearance of Jack Livingston's deaf private-eye in A Piece of Silence." —Kirkus Reviews (Shadow Kills)
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