The Sitters
2017-01 · Atlantic Books
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144
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A sensuously written, peculiar novel about the relationship between a painter and his subject.
A narrow, vertical painting, tightly enclosing the scene. Her pale arm and her pale thigh. Viewed at a diagonal through an exceedingly tall doorway . . . just a glimpse of something . . .
An ageing portrait artist meets a woman who unsettles him, yet inspires him to paint her. Reluctantly, at first, they are drawn together. The ambiguity of the relationship between painter and subject is revealed through Alex Miller's subtle, sensuous narrative. The artist must watch and wait to trap the shy beast. For the skill of portraiture is in seeing beyond the face, beyond the likeness.
A narrow, vertical painting, tightly enclosing the scene. Her pale arm and her pale thigh. Viewed at a diagonal through an exceedingly tall doorway . . . just a glimpse of something . . .
An ageing portrait artist meets a woman who unsettles him, yet inspires him to paint her. Reluctantly, at first, they are drawn together. The ambiguity of the relationship between painter and subject is revealed through Alex Miller's subtle, sensuous narrative. The artist must watch and wait to trap the shy beast. For the skill of portraiture is in seeing beyond the face, beyond the likeness.
Apie autorių
Alex Miller has twice won the prestigious Miles Franklin Literary Award, Australia's premier literary prize; the first occasion in 1993 for The Ancestor Game, and again in 2003 for Journey to the Stone Country. He is also an overall winner of the Commonwealth Writers' Prize, for The Ancestor Game, in 1993. British by birth, he now lives in Victoria.
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