The Space Opera Renaissance
jul 2007 · Macmillan + ORM
4,3star
3 reviewsreport
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Over dit e-boek
From two acclaimed editors comes the best-ever anthology of science fiction’s most vigorous subgenres: the space opera.
“Space opera,” once a derisive term for cheap pulp adventure, has come to mean something more in modern SF: compelling adventure stories told against a broad canvas, and written to the highest level of skill. Indeed, it can be argued that the “new space opera” is one of the defining streams of modern SF.
Now, World Fantasy Award–winning anthologists David G. Hartwell and Kathryn Cramer have compiled a definitive overview of this subgenre, both as it was in the days of the pulp magazines, and as it has become in the 2000s. Included are major works from genre progenitors, popular favorites, and modern-day pioneers.
“Space opera,” once a derisive term for cheap pulp adventure, has come to mean something more in modern SF: compelling adventure stories told against a broad canvas, and written to the highest level of skill. Indeed, it can be argued that the “new space opera” is one of the defining streams of modern SF.
Now, World Fantasy Award–winning anthologists David G. Hartwell and Kathryn Cramer have compiled a definitive overview of this subgenre, both as it was in the days of the pulp magazines, and as it has become in the 2000s. Included are major works from genre progenitors, popular favorites, and modern-day pioneers.
Beoordelingen en reviews
4,3
3 reviews
Over de auteur
David G. Hartwell, called "an editor extraordinaire" by Publishers Weekly, is one of science fiction's most experienced and influential editors. He has been nominated for the Hugo Award thirty-one times. Kathryn Cramer co-edited the World Fantasy Award-winning anthology The Architecture of Fear and was the editor of its widely-praised sequel Walls of Fear. She has edited and co-edited several other anthologies. Hartwell and Cramer co-edit the annual Year's Best Fantasy and Year's Best SF series. They live in Pleasantville, New York.
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