The Titan

ยท Rosetta Books
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609
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๊ฒ€์ฆ๋˜์ง€ ์•Š์€ ํ‰์ ๊ณผ ๋ฆฌ๋ทฐ์ž…๋‹ˆ๋‹ค. ย ์ž์„ธํžˆ ์•Œ์•„๋ณด๊ธฐ

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A businessman leaves prison and heads to Chicago to regain his fortuneโ€”but his past follows close behind himโ€”in this absorbing historical epic.
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Newly released from prison, Frank Cowperwood immediately dives back into the stock market after the Panic of 1873, aiming to recover his lost fortune and become a millionaire once more. This time, he has a new plan and sets out for Chicago with his mistress, Aileen.
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Using his brutal business sense to snuff out his opponents, Frank has his eyes on the cityโ€™s street-railway system as his ticket back to the top. But as Frank knows, the past cannot remain buried forever, and itโ€™s only a matter of time before his previous misdeeds come back to find him in his new home, threatening his stabilityโ€”and more importantly, his money.
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โ€œThe great American novelist.โ€โ€”Publishers Weekly

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Theodore Dreiserโ€™s An American Tragedy (1925) is nothing less than what the title holds it to be; it is the story of a weak-willed young man who is both villain and victim (the victim of a valueless, materialistic society) and someone who ultimately destroys himself. Dreiser modeled the story of Clyde Griffiths on a real-life murder that took place in 1906; a young social climber of considerable charm murdered his pregnant girlfriend to get her out of the way so that he could instead play to the affections of a rich girl who had begun to notice him. But An American Tragedy is more than simply a powerful murder story. Dreiser pours his own dark yearnings into his character, Clyde Griffiths, as he details the young manโ€™s course through his ambitions of wealth, power, and satisfaction. The Indiana-born Dreiser (1871-1945) has never cut a dashing or romantic swath through American literature. He has no Pulitzer or Nobel Prize to signify his importance. Yet he remains for myriad reasons: his novels are often larger than life, rugged, and defy the norms of conventional morality and organized religion. They are unapologetic in their sexual candor--in fact, outrightly frank--and challenge even modern readers. The brooding force of Dreiserโ€™s writing casts a dark shadow across American letters. Here in An American Tragedy, Dreiser shows us the flip side of The American Dream in a gathering storm that echoes with all of the power and force of Dostoevskyโ€™s Crime and Punishment. Inspired by the writings of Balzac and the ideas of Spenser and Freud, Dreiser went on to become one of Americaโ€™s best naturalist writers. An American Tragedy is testimony to the strength of Dreiserโ€™s work: it retains all of its original intensity and force.

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