The Trial of Ubu
يناير 2012 · A&C Black
كتاب إلكتروني
96
صفحة
reportلم يتم التحقّق من التقييمات والمراجعات. مزيد من المعلومات
معلومات عن هذا الكتاب الإلكتروني
In The Trial of Ubu, Simon Stephens takes the grotesque and amoral megalomaniac dictator from Alfred Jarry's proto-surrealist 1896 play Ubu Roi and places him before a twenty-first century international tribunal.
Set in January 2010, at the International Criminal Tribunal sitting in The Hague, it is day 436 of the trial of the dictator Ubu. Sitting before a UN constituted International Tribunal, he is charged with Crimes against Humanity and other serious violations of international humanitarian law.
Simon Stephens' virtuosic satire examines the often absurd legal wrangling of the international justice system. The Trial of Ubu is a savage comedy that interrogates the assumptions of a Court as it struggles to deal with defendants who are not only opposed to the morality of law, but exist in a different moral dimension altogether.
Exploring the central legitimacy and effectiveness of international law, Stephens asks how a civilised society can deal with the perpetrators of unspeakable crime, and wherein lies the legitimacy of any internationally convened tribunal. Taking a wry and intelligent look at the international courts when reduced to senseless and convoluted legal altercations, this funny yet unsettling play asks important questions about legal against moral justice, and the futility of reasoned argument in the presence of a heinous malefactor.
Set in January 2010, at the International Criminal Tribunal sitting in The Hague, it is day 436 of the trial of the dictator Ubu. Sitting before a UN constituted International Tribunal, he is charged with Crimes against Humanity and other serious violations of international humanitarian law.
Simon Stephens' virtuosic satire examines the often absurd legal wrangling of the international justice system. The Trial of Ubu is a savage comedy that interrogates the assumptions of a Court as it struggles to deal with defendants who are not only opposed to the morality of law, but exist in a different moral dimension altogether.
Exploring the central legitimacy and effectiveness of international law, Stephens asks how a civilised society can deal with the perpetrators of unspeakable crime, and wherein lies the legitimacy of any internationally convened tribunal. Taking a wry and intelligent look at the international courts when reduced to senseless and convoluted legal altercations, this funny yet unsettling play asks important questions about legal against moral justice, and the futility of reasoned argument in the presence of a heinous malefactor.
نبذة عن المؤلف
Simon Stephens has been the recipient of both the Pearson Award for Best New Play 2001-2 for his play Port, and the Olivier Award for Best New Play 2005 for On the Shore of the Wide World. His recent plays include Harper Regan (National Theatre), Punk Rock (Lyric Hammersmith/Royal Exchange, Manchester). Pornography (Traverse and Birmingham Rep) and Wastwater (Royal Court and Wiener Festwochen).
تقييم هذا الكتاب الإلكتروني
أخبرنا ما هو رأيك.
معلومات القراءة
الهواتف الذكية والأجهزة اللوحية
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أجهزة الكمبيوتر المحمول وأجهزة الكمبيوتر
يمكنك الاستماع إلى الكتب المسموعة التي تم شراؤها على Google Play باستخدام متصفح الويب على جهاز الكمبيوتر.
أجهزة القراءة الإلكترونية والأجهزة الأخرى
للقراءة على أجهزة الحبر الإلكتروني، مثل أجهزة القارئ الإلكتروني Kobo، عليك تنزيل ملف ونقله إلى جهازك. يُرجى اتّباع التعليمات المفصّلة في مركز المساعدة لتتمكّن من نقل الملفات إلى أجهزة القارئ الإلكتروني المتوافقة.
