The Vanishing Corpse

· Hachette UK
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The most unlikely person is plunged into danger - but the police don't believe her. After all, she's not the kind of woman these things happen to... not murder, surely...
Classic crime from one of the greats of the Detection

'No author is more skilled at making a good story seem brilliant' Sunday Express

Laura Verity is an elderly lady with not much money and no past - not someone things happen to. But suddenly her life is plunged into danger, and without lawyer-sleuth Arthur Crook's timely interference, she might have lost it altogether.

One thing she will never lose, though, is her head: the police don't believe her - she proves them wrong. The wine might be poisoned - she'll keep it for Crook to test. Does that car belong to the murderer? She'll just get in and see where he takes her. Together, brave Miss Verity and Arthur Crook uncover the truth about a murder.

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Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time. She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint. The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.

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