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Nov 2011 · Open Road Media
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222
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Über dieses E-Book
A reporter is drawn into a German refugee’s story of conspiracyDIVThe photo contest is an ancient circulation gimmick. Each day, the Morning Bulletin publishes a candid photo of one of Boston’s citizenry, offering a cash reward if they see themselves in the paper within twenty-four hours of publication. It’s not a bad way to sell papers, but it could mean a death sentence for Ethel Kovalik./divDIV /divDIVWhen she comes to collect her prize money she begs Larry Palmer, the reporter who handles the contest, not to print her name or address. She has come to the city looking for her husband, a GI whom she fell in love with in Germany in 1946, before he mysteriously disappeared. Now a Communist agent is chasing her, and publicity will only help him find her. Unsure of her far-fetched tale, Palmer checks up on Ethel. What he learns could mean death—or the scoop of a lifetime./div
Autoren-Profil
George Harmon Coxe (1901–1984) was an early star of hard-boiled crime fiction, best known for characters he created in the seminal pulp magazine Black Mask. Born in upstate New York, he attended Purdue and Cornell Universities before moving to the West Coast to work in newspapers. In 1922 he began publishing short stories in pulp magazines across various genres, including romance and sports. He would find his greatest success, however, writing crime fiction.DIV /divDIVIn 1934 Coxe, relying on his background in journalism, created his most enduring character: Jack “Flashgun” Casey, a crime photographer. First appearing in “Return Engagement,” a Black Mask short, Casey found success on every platform, including radio, television, and film. Coxe’s other well-known characters include Kent Murdock, another photographer, and Jack Fenner, a PI. Always more interested in character development than a clever plot twist, Coxe was at home in novel-writing, producing sixty-three books in his lifetime. Made a Grand Master of the Mystery Writers of America in 1964, Coxe died in 1984. /divDIV /div
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