Transgressor of the Nation

· 20th Century Korean Literature · Literature Translation Institute of Korea
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 Transgressor of the Nation is a novella that was serialized in the magazine, Baik Min, from 1948 to 1949. This is the author’s self-reflection on his involvement in pro-Japanese activities, and at the same time, an apologia against the wholesale punishment of people who collaborated with the Japanese without specific consideration that pertained to each complex case. Through this work, one can fathom the profundity with which Chae Man-sik contemplated the problem of pro-Japanese activities in which he participated even after the restoration of independence.

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 Chae Man-sik (1902-1950) was born in Okgu, North Jeolla Province in 1902. His pen names are Baek-reung and Chae-ong. After graduating from Joong-ang High School, he studied the arts at Waseda University, Japan. Chae Man-sik is considered to be one of the most emblematic novelists of the colonial period. He produced works that authentically showcased the social realities and conflicts of the time such as My Innocent Uncle (1938), Turbid Waters (1937-1938), Peace Under Heaven (1938), Frozen Fish (1940), and the play The Legend of the Mantis (1940), among others. His artistic world puts emphasis on reflecting and criticizing the reality of his day. In his works, he truthfully describes the destitution of farmers under colonial rule, the anguish of intellectuals, the fall of the inner city lower class, and the chaos that ensued after independence. After the restoration of independence, he produced controversial pieces such as Transgressor of the Nation, The Story of the Rice Paddy, and Mister Bang, that reflected on the history of Japanese forced labor camps and incisively delved into post-independence Korean society. He died right before the outbreak of the Korean War in June 25th, 1950, from pneumonia.

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